#13th film script free#
While it's still possible that he may come back to direct, the filmmaker is now free to pursue other options.ĭavid Bruckner came aboard back in April 2014, when the project was slated for release on March 13, 2015. While it still isn't known when production will begin, The Wrap reports that the studio is in talks with screenwriter Aaron Guzikowski ( Prisoners) to rewrite the script, while director David Bruckner has left the reboot. We are convinced by this choice that this 3-month "happy cohabitation" in Annecy will stimulate the artists’ creativity and encourage them to delve as deep as possible into their research before delivering their first animation feature films.Back in October, we reported that Paramount Pictures has delayed their long-awaited Friday the 13th once again, pushing the release date from to January 13, 2017. The 3 projects selected are diverse in their styles, techniques, and messages that they convey, but collectively they each have a strong message, a unique story, and significant resonance with today’s world. Providing authors with the equipment and time necessary to achieve an artistic approach that matches their projects’ audacity is the primary aim of our Festival and its Residency. In other words, this residency aims to nurture talents and works in the making.īearing this in mind, for this 2 nd year’s selection, the commission once again wanted to prioritise projects that would benefit from the heart of this Residency: to provide authors with the necessary comfort to clarify their artistic approach, to enable them to explore the graphic identity of their films and to consolidate their creative desires.
This precious time, which provides the chance to develop, question, share, and more than anything to explore, to make a promise blossom and unravel it. "The 1 st edition of the Annecy Festival Residency enabled us to confirm and measure the importance of being able to have "time" in the creative process. Ismaël is currently developing his first feature film, Deep Fake, selected at the Annecy Festival Residency and at the Critics’ Week Next Step programme at the Cannes Film Festival. In 2021, his film Maalbeek notably received the André-Martin Award for a French Short Film at the Annecy Festival, the Adobe Prize and the Audience Prize at the Clermont-Ferrand Festival, and was nominated for the European Film Awards. His films have been selected and won awards at numerous international festivals (Cannes, Annecy, Clermont-Ferrand), and been exhibited in prestigious places: the Centre Pompidou, Paris the Cartier Foundation, Paris Le Fresnoy ‒ National Studio of Contemporary Arts, Tourcoing La Villette and the City of Science and Industry, Paris the Pearl Art Museum, Shanghai the Total Museum of Contemporary Art, Seoul and the Museum of Communication, Frankfurt. His work questions technologies, memory, virtual reality, and explores the porous worlds of the image. Bohumil's reality and Hanta's fiction intertwine in the midst of a dangerous context for both of them, from which they will only manage to free themselves through death.Īfter his studies in Belgium and France, at the Higher Institute of Arts (INSAS), the Sint-Lukas Higher Art School and Le Fresnoy ‒ National Studio of Contemporary Arts, Ismaël Joffroy Chandoutis develops a "cinématière", an artistic hybrid practice that expands cinema film into the field of contemporary art. To save himself, he pretends to obey the current government while secretly writing a novel starring Hanta, an old paper presser of censored books. In 1968, the writer Bohumil is censored when he is in the prime of his career. It is also the story about those who are silenced, imprisoned, and killed. The love story introduces a touch of romance into a world about to be destroyed. The tiny civilization is divided into a majority of workers and a minority of rulers. Urth is a depleted, desert planet where only a few humans, dinosaurs and cacti remain after a great catastrophe. She changes course and heads straight for Planet Urth, Azaz’s home.
Using wormholes to spy around the Universe, NIKU notices Azaz and falls fatally in love with him. Dino Doom on Desert Planet by Zsuzsanna Kreif and Balázs Turai (Hungary).Ī catastrophic love story between a humanoid slave, Azaz, and a teenage meteor girl, NIKU-278.The YouTuber will then do everything to prove her innocence and try to win back her community. But her popularity is questioned when a lookalike hacks her account and posts controversial videos.
The story about a fictious virtual world, also known as a metaverse, in which Amy, a YouTuber artist who makes her living by doing ASMR performance videos. Deep Fake by Ismaël Joffroy Chandoutis (France).A member from each of the three projects will be hosted in Annecy by CITIA to join this second Annecy Festival Residency from 4 th April to 30 th June 2022.